Grimsby Review

Sacha Baron Cohen has a fine knack for ruffling feathers with his films. With Ali G he forced Staines in to redefining itself as Staines-upon-Thames; as Borat he single-handedly dismantled Kazakhstan’s reputation as… Continue reading

Mubi – Classic Films and Sharp Reviews

On top of my brutally long and rambling reviews here at The Latest Picture Show, I often smash out quick and concise reviews over on film streaming site Mubi. You may not have heard… Continue reading

Jonny’s Favourite Films of 2015

With the Oscars on the horizon (Sunday), I thought I’d share my obligatory ‘best of the year’ list, albeit fashionably late in late February. The tricky element of compiling this list was in… Continue reading

Spotlight Review

Whilst covering the trial of Nazi war criminal Adolf Eichmann in 1961, political theorist Hannah Arendt, herself a Jew who had fled Hitler’s Germany in 1933, coined the term “the banality of evil”.… Continue reading

Youth Review

How will we be remembered? It’s not something humans like to think about too often, yet we’re always left fretting over it. Of course, we all desire to be etched into the history… Continue reading

London Film Festival 2015: The Lobster Review

“If you were an animal, what animal would you be?” Whether it’s the whirling infantile mind or the daydreams of a bored office worker, this thought holds a primitive interest. Clearly it’s been on… Continue reading

The Big Short Review

Business films have two intrinsically negative traits; they’re full of dislikeable characters and they aren’t very good at explaining themselves. Cinematic financial icons Gordon Gekko and Jordan Belfort were avaricious and nefarious bandits… Continue reading

London Film Festival 2015: Green Room Review

Punk Music has always had an uneasy relationship with violence, but for all the bravado, safety pins and rioting it’s never been explicitly tied to outright murder. That was until ultra-violent thriller Green Room hit… Continue reading

The Hateful Eight Review

Quentin Tarantino’s eighth film features scores of eccentric dialogue, bouts of gratuitous violence, postmodernist tendencies, outlandish characters and a clear subversion of classic genres. In fact, you could call The Hateful Eight the… Continue reading

The Revenant Review

There are moments in The Revenant where the camera lens itself steams up with the husky breaths of its frontiersmen. It’s the final layer on a wondrous spectacle that’s enough to coax even… Continue reading